With the announcement, the frozen-in-amber separate EQMac server is also going away, which disappointed the people who preferred EQ frozen in amber.
Nothing more than rumor at this point.
Kotaku detailing above leak: http://kotaku.com/5876253/thq-wipes-out-games-planned-for-2014-to-ready-itself-for-sale-says-insider
The Vigil-developed THQ-published MMO has had a very long and by all accounts troubled development history but was closing in on eventual release. However it’s rapidly becoming clear that the space for sub-$100M budget releases by large publishers is becoming very tiny indeed.
Update: THQ denies the rumor.
tl;dr: If you’re looking for The Banned Of
Lum the Mad Tom Chick forum it’s over here.
Quarter to Three is a forum I have posted on quite often over the past decade (yes, that long). It’s a forum loosely based on gaming with a literate group of followers, founded by two fairly clueful gaming writers, Mark Asher and Tom Chick. Mark eventually drifted away and Tom took over full time.
There was the usual drama, as often goes with such things. Earlier this year Tom had clearly had enough and turned the forum essentially unmoderated. A lot of previously unbanned users came back, and some people took advantage of the Lord of the Flies atmosphere to run riot.
Obviously this was unsustainable for an enterprise that actually costs someone a non-zero amount of money to host, so Tom announced that he would be returning to moderator status, and then today posted a thread that said in so many words, “Yep, I’m back, and a lot of you are on notice, and this gaggle of people that can’t stand my moderation are gone period.” Some were surprised by this list, both by its inclusions (some apparently were only included for vocally disagreeing with choices Tom had made) and its exclusions (the worst offenders of the previous months of unmoderation were pointedly not in the “You’re gone NOW” list). The obvious conclusion was that Tom’s first action was to simply get rid of the people that got on his nerves, a conclusion that Tom later tried, with some effort but not complete success, to disprove.
It’s safe to say I would do things differently – and I suspect the suspects complaining would complain more with my method, which is less soul-searching “look, here’s all the people I don’t like, let’s talk about it here” and more “while you weren’t looking yesterday three people were shot in the head. MOVE ON CITIZEN”. Like Tom, I am a firm believer in the This-Is-My-Living-Room-You-Yutz theory of forum moderation – if I don’t want you around, you’re not around, and no, you don’t get a vote. If you don’t like it, well, you know, you do have a living room.
So given all that, why did I make a refugee camp for people recently banned and looking for shelter? Well, mainly because it was needed and I had a forum I wasn’t using. I agreed with some of the names on Tom’s list of People Shot In The Head, disagreed with others. This is entirely normal, given that my name isn’t Tom and it’s not my forum. And again, while I believe I would have handled things differently, I don’t disagree that’s entirely his prerogative to handle things the way in which he deems best.
As one of the admins of Quarter to Three put it, “I find it endlessly ironic that Lum himself is setting up a “banned of lum the mad” type-site. It’s the circle of life!” And so it is. As I said, I mainly did this as a short term favor for people hit by surprise by The Great Bannination Of 2012. I just got word that Matt Gallant (another Banned of Tom the Chick whom I respect and whose contributions I valued far more than others left standing) is setting up his own refugee camp of sorts at his own site. I certainly have better things to do than hold the hands of whiny forum babies, maybe he’s not that busy!
In any event, it’s a series of events rich with irony, pathos, and unintended humor, much like Rick Santorum winning a caucus.
Catherine was a game whose core gameplay was awful (essentially a very twiddly platform game). And you didn’t care because the game itself was so compelling. Japan is a society that takes adult games seriously (and by that I mean games with mature themes, not Jenna Jameson Modern Warfare 4) and thus we get games like Catherine, which start as a rumination on love and regret and veers into very weird places. Pity about the actual gameplay!
9: Fallout: New Vegas
Fallout 3 was very awesome – as someone who lived in the DC area for a few years it was pretty nifty actually recognizing the post-apocalyptic wreckage of many places I was familiar with, not to mention just being a great game in general. But it was very much apart from the canon established by Fallout and Fallout 2. Fallout: NV, on the other hand, very much was Fallout 3 in all but name. The only two problems with it: wacky instability when it shipped, and the fact that the timeline has moved so far in the future that Fallout 4 is kind of pointless without some sort of license reboot.
8: Hatoful Boyfriend
Hatoful Boyfriend is a romance simulator where you compete for the attention of pigeons. I don’t need to go any further.
Lum added Bastion as number 8 on this list. Lum didn’t know what else to say other than it was a really good game and that adding a dynamic narrator to a rogue-like was a work of genius. Thank you, Lum.
6: Portal 2
Like any sequel it wasn’t as OMG WHAT as the original and the gameplay itself started to drag near the end but it still had great writing and the best rant ever put into a video game.
5: Dungeons of Dredmor
Best Use Of Necronomiconomics As A Gameplay Mechanic 2011. This is a very silly game that you should be playing. It’s fun! It’s hardcore! You need the lutefisk for the lutefisk god!
4: Kaiserreich for Darkest Hour
This will take some explanation. Darkest Hour is a fan-made iteration of the ever-Lum-praised Hearts of Iron 2. Part of its feature set is support for fan mods. The most well-concieved mod for Darkest Hour is a game called Kaiserreich. Kaiserreich postulates a 1936 world where – stop me if I lose you – Germany wins World War 1, the Whites win the Russian Civil War, Communist revolutions overthrow the governments of France (who takes refuge in Algeria) and Britain (who takes refuge in Canada), Hermann Goering sets up a petit empire in the former Belgian Congo Mittlelafrika, Austria-Hungary is finally about to fall apart, the United States is about to be riven in dueling revolutions between the Communists of Jack Reed, the Fascists of Huey Long, and the military coup led by Douglas MacArthur, and Russia can go in any of four different wild directions from a Communist takeover to a Czarist revival. And it works.
3: All The Games I Should Have Played But Didn’t Have Time But Heard Were Really Good.
You know, Dark Souls, Arkham City, Saints Row 3. I’ll get to them. Eventually.
Skyrim is the latest version of The Bethesda Game – you know, the one they keep making ever since Daggerfall (trivia: my first foray into games writing was a walkthrough/support site for Daggerfall). This one, they got right. Skyrim really is a non-linear fantasy simulator that is utterly epic in every way and there is almost no wasted space. It really should be the #1 entry in this list and they really are pretty interchangeable at this point.
1: Star Wars: The Old Republic
Yes, the developers and inside baseball commenters will be debating throughout 2012 whether EA has literally moved the barrier of entry into MMO development into the level of small countries’ gross national product with the sheer thunderclap scale of investment that SWTOR represented. But let’s not let that detract from what SWTOR accomplished: storytelling in an MMO that works as the center point of the game. Also, lightsabers. SWTOR is fun. SWTOR is incredible amounts of fun, while redefining what an MMO is. Is it really an MMO when a game essentially is a Star Wars game that millions of people are playing at the same time? Who cares… it’s fun. Games are supposed to be fun, and SWTOR gets that – a point too many MMO developers have forgotten.
You see, up until that point, I had seen myself as an honorable man. Of course there was chaos and atrocity all around, but this was war, and war can be harsh. But I had a code of honor, and the knowledge that although many judge our Empire harshly, I fought for stability and order.
But the dark side… it was so seductive. It beckoned with the siren lure of shortcuts and the red haze of murder and power. I was strong, though, and could resist, and was even developing a reputation as an honorable Sith, odd though such a combination could be.
It changed when I finally met the nemesis of my master. Although through a hololink, it carried enough weight of what I, my people were fighting against – the sneering superiority of a caste that assumed it knew all the answers, the mocking calm of someone who assumed that only he had the path of honor and justice.
He was on a path I could no longer follow. That I had to prove wrong. That I had to destroy utterly. That I *could*.
I cut down his defenseless minions without a second thought, and my saber turned red, and I leapt into the abyss willingly.
Why yes, I am talking about an MMO. And what’s more, describing the point in an MMO where I made a decision to change my character’s progression, counter-intutively from a character building perspective, solely because of events in the game’s story.
During Bioware’s development of SWTOR, they often talked up storytelling as the missing link of MMO gaming, the “fourth pillar” of what makes a compelling game. Now we have an emphatic example of this development philosophy. It may well not be for everyone – even in a game such as World of Warcraft, people rapidly “click through the quest text” to continue with the game. That’s not an option here – you are part of an interactive movie, where the setup for even the most bog-standard kill 10 womprats quest (which are present in full force) is fully voiced and animated. You could conceivably spacebar your way through every conversation cutting short every cut scene, but at this point you are missing, well, the game.
So, yes. SWTOR tells a good story. This is a Bioware game, so this is pretty much a given. How much of a GAME is it?
Well, if you go into SWTOR expecting Star Wars Galaxies II, you are going to be very disappointed. SWTOR comes down very heavily (in fact with a Sith downward saber stab) on the side of game vs. world. There are some nods towards a deeper MMO community (such as social unlocks based on how often you group with others, and a fairly brilliantly handled pre-game guild launch that automatically load balanced guilds amongst servers) but SWTOR is a game. And many similarities to World of Warcraft are wholly intentional – to the point where popular WoW addons-to-game-systems such as gearscore are already baked in. Remember Wowhead? Welcome to Torhead.
If you’re really, really tired of World of Warcraft (and after seven years, a few million people are) then that alone may cause you to recoil. But if you see the World of Warcraft-centric game systems as a grammar used to build SWTOR’s language, it becomes clearer why those choices were made. In fact, in my week or so of play, some of my more “doh” induced boners were in areas where SWTOR veered away from World of Warcraft’s interface. Did you know that when you buy skills from trainers in SWTOR, the skills for your advanced class (another, rare divergence from World of Warcraft) are in a separate tab from the skills for your base class? For seven levels I didn’t!
If I have one criticism of SWTOR at this early point, it’s that for the initial 25 levels it seems to be, for the most part, a single player game played in parallel with many other people. This was fairly obnoxious when, for example, others would ninja-grab world quest objectives. There are instances (called “Flashpoints”), daily quests intended for groups, the aforementioned social rewards for doing them, and of course PvP (including battlegrounds). But up to this point they haven’t really been part of my focus.
You see, I’ve turned to the dark side. And I have a lot of red murder to catch up on.
A BattleTag is a unified, player-chosen nickname that will identify you across all of Battle.net – in Blizzard Entertainment games, on our websites, and in our community forums. Similar to Real ID, BattleTags will give players on Battle.net a new way to find and chat with friends they’ve met in-game, form friendships, form groups, and stay connected across multiple Blizzard Entertainment games.
(This is a post in response to Jon Jones, smArtist for hire’s technolusty blog post from yesterday.)
Hi, I’m Scott, I’m a technoweenie.
I try to keep everything pretty simple… my primary “work” machine is my Macbook Pro. I’ve used it for years now, and now that I’m at a workplace that doesn’t freak out when I bring my own machine in for work, I can use it as my primary work machine yet again. I have years’ worth of handy OSX applications so it really is a force multiplier. And because it’s OSX and not Windows it actually, you know, rarely crashes or goes down. See?
And for toting it between work and home, I have a docking station set up at both places so I can just drop the laptop into the dock and fwoomf, I’m up.
So why am I such a fervent Machead? Because it has stuff that works, generally far more efficiently and elegantly than Windows equivalents, and having stuff that works makes me look smarter. Apps that see regular use while I work:
Mail.app (comes with OSX): I love Mail.app. It just works, and allows me to search years’ worth of email in seconds. Couldn’t live without it, and I haven’t found anything as just-work-ish on Windows. Sometimes I get seduced by some feature in Postbox, but I always come back to Mail.app.
Excel: The OSX marketplace for spreadsheet applications is pretty limited. Apple’s version, Numbers, isn’t good enough for serious work. Excel for the Mac is functionally equivalent to the Windows version. Some things you’ll never escape.
Keynote: Why I originally bought my Mac – I blame Trey Ratcliff for this one, he made Keynote presentations that were things of painful beauty. Once you use Keynote, you’ll never use Powerpoint again.
WriteRoom: One of the hardest things to do is to concentrate on just writing. At least for me. (It’s also why I work better on OSX. People tell me “Oh, there’s no games on that!” Well, yes. I have a gaming machine for that. No games is a *plus*.) WriteRoom is the best of the minimal text editors – you can easily just focus on writing and hide everything else.
Eclipse: Eclipse is the Swiss Army Knife of code editors. Open source, cross platform (it runs in Java but still runs fairly well on modern machines) and generally is the best at what it does. Except for web page editing. For that I have:
Coda: the best web page editor on any platform.
Pixelmator: I’ve just started switching to this from Photoshop, which I’m more than a few versions behind on. Pixelmator is affordable for normal people and eminently usable for image manipulation.
Balsamiq Mockups: Another cross-platform app (using Adobe Air), this does one thing and does it very well – it helps you quickly kick out user interface prototypes. Among other handy features, it creates everything in Comic Sans font just to make clear to everyone THIS IS A PROTOTYPE DO NOT USE THIS IN A SHIPPING PRODUCT FOR THE PUBLIC. Seriously if you use Comic Sans in anything public-facing I will hurt you.
That covers most things I use on a close-to-daily basis. I have a Windows desktop at work for tool-chain related things (yes occasionally I must work with other people) and an iPad which I use mostly to take notes and read newspapers (only half of which is work related). But my MBP is my baby. DON’T TAKE MY BABY.
Bobby Kotick shows the class, grace and market acumen for which he is so justly renowned, when commenting on an imminent competitor for his corporation’s cash cow:
“We’ve been in business with Lucas for a long time and the economics will always accrue to the benefit of Lucas, so I don’t really understand how the economics work for Electronic Arts.”
He said that he does not think The Old Republic will steal users from WoW, adding, “If you look at the history of the people investing in an MMO and achieving success, it’s a small number.”
Yes, and clearly the largest game company on the planet, funding what is most likely the most expensive game project in history, would never qualify for that small number.
Oh Bobby, don’t ever change.
[The Old Republic] will ship in 2011. It has to.
I was right! Barrrrrrreeeeeellllly.
The biggest event, and the one that will shape 2011 in terms of MMO development, will be, of course, the Old Republic.
I was wrong, unless you think 2011’s MMO development experience is shaped in its final week. 2012 is the year of the Old Republic (and for what it’s worth, from everything I hear it’s going to be a pretty monster hit barring last minute infrastructure/bug stupidity), not 2011.
By the way, this made pretty much my entire slate of predictions inoperative, since they (correctly, I think) noted that the MMO industry is basically waiting on the Old Republic to ship and, well, it hasn’t yet.
2011 is the year of WoW: Not WoW.
Pretty much. WoW did take a back seat, and shed a million customers – that in any other company would have been cause for bodies falling out of high windows, and for Blizzard is still essentially a bookkeeping error. Blizzard did announce a new expansion, and as expected it will be released in 2012, not 2011. But mostly it was time for a lot of other games to ship. How did they do?
DC ONLINE: went free to play in short order RIFT: the most successful new release of 2011, and the most WoW Not WoW WORLD OF TANKS: started free to play, made tons of money PLANETSIDE NEXT: not yet released TERA: not yet released GUILD WARS 2: not yet released NEVERWINTER: not yet released, being restructured FAXION: released, then cancelled shortly thereafter JUMPGATE EVOLUTION: most likely did not survive the collapse of NetDevil THE AGENCY: cancelled THE SECRET WORLD: not yet released GODS AND HEROES: yes, it released, no, you probably didn’t notice
Unless you’re Scott Hartsman or some crazy Belarusian guy, that’s a whole lotta ouch. But how did other subscription MMOs do?
EVERQUEST 2: went free to play CITY OF HEROES: went free to play LINEAGE 2: went free to play AGE OF CONAN: went free to play STAR TREK ONLINE: went free to play FINAL FANTASY 14: still involuntarily free to play EVE: attempted suicide by CEO, layoffs, trying to come back STAR WARS GALAXIES: cancelled LEGO ONLINE: cancelled WARHAMMER ONLINE: still exists, releasing a free-to-play arena MOBA version AION: still here, kinda! FINAL FANTASY 11: Quick! Look over there! EVERQUEST: *whistling* ULTIMA ONLINE: yep! don’t mind us! DARK AGE OF CAMELOT: feelin’ spry! don’t look this direction plz
So, if your MMO of choice was a subscription game, it was either: (a) World of Warcraft, (b) Rift, (c) free-to-play, (d) cancelled, (e) assaulted by crazy lutefisk-wielding Icelandic people, or (f) so old no one remembered the server was on.
I’d say I get a bye on all predictions, because the market kinda went bloop. Yes, bloop. That’s the technical term.